My Summer as Charles Dickens

Wow, I have loved being on Wattpad.  From a bit of initial scepticism (feeling like I was falling down rabbitholes of soft porn every time I went on there) (not that that’s necessarily a bad thing) I have become a real convert to this amazingly supportive and productive community.  I love hearing people’s thoughts on my book in real time, as they read it.  I love answering questions, seeing which bits they think are funny, what resonates with them.  I also really got a kick out of getting to be Charles Dickens for a summer – serialising my book one chapter at a time and really getting the most out of my mini cliffhangers!  I’m evil like that.

Loneliness is now on up on Wattpad in its entirety, and  I am in the process of posting The Glow of Fallen Stars at the moment.  Chapter Four will go up tomorrow to celebrate the release of the book itself, and I will stop there, apart from adding some exclusive deleted scenes from The Loneliness of Distant Beings over the coming weeks.  There may not be DVDs any more, but I’m still calling them my DVD extras.  I’m retro.

I think I’ll probably write more about Wattpad, and the stories and netherworlds I discovered while wandering the labyrinthine hallways of its fanfic, once I’ve got more time, but for now I’m off to finish posting – I’m starting a competition tomorrow asking what song would feature on a soundtrack to The Loneliness of Distant Beings – should be fun!

Book Review: The Scarecrow Queen

I’ve been putting off writing this review.  It’s not just that THE SCARECROW QUEEN was the perfect end to the trilogy, or that it was expertly paced and plotted, or that everything I wanted to happen came to pass and more, or that I devoured it in that obsessive, every-spare-moment way I reserve just for the very special books; it’s also that this is goodbye… and, as with all hard goodbyes, I’m not sure I’m not going to be able to say all the things I should.

THE SCARECROW QUEEN picks up almost exactly where the last book left off, but with a twist – we are now seeing the story through the eyes of Twylla once again.  She is adrift in a war-torn kingdom looking for a way to bring together a disparate band of survivors with the aim of wresting back power from the terrible Aurek.  But this book, in a gorgeous piece of narrative symmetry, is also told through the eyes of Errin, meaning we are also seeing events from inside the court of the deadly new king, within which Errin is a helpless hostage, controlled absolutely and completely through the use of a blood-bonded poppet.  Our fearless heroines are separated, but both are set on rebellion.

So, even if I just stick to the highlights of what I love this is going to be a LONG list: the visceral fear I felt on Twylla’s journey, the terrifying and at the same time sexy (is that just me?) power of Aurek, the arresting beauty of the descriptions of places and people, the pace, the smart plotting, Leif’s arc (shoot me if that’s a spoiler), the imagery of the golems and poppets, the perfect precision of the meaning behind the title, the multi-faceted mythology that ripples out from every page, the nuanced relationships between characters, the tender mortality and strength of the heroines, the many moral messages that resonate beyond the borders of Lormere, the unnerving yet exhilarating uncertainty I felt about how this was all going to end.  This book is going to be a tough act to follow, which explains why I have recently found it harder to fall in love with the books I am reading.  I’m still on the rebound.

What a book.  What a trilogy.  I’m not usually a fantasy fan but I’ve a feeling that is all about to change.  If there are others out there as smart and original and utterly arresting as this – count me in.

Book Review: This Savage Song

Monsters.  Under the bed, under the sea, looming over us with their huge spiked club mid-battle… over the years we’ve seen them all, but none quite like those that feature in VE Schwab’s haunting, insidiously chilling THIS SAVAGE SONG, which I recently raced through in a few short days.

The monsters in this relentlessly dark future are real, walking amongst us, taking our form, but brought into being by our own evil deeds – the more unspeakable the horror the deadlier the creature that is created.  In this world, the edgy and difficult Kate is trying to find her way despite the machinations of her all-powerful father, and with the help/complication of charismatic new boy (and undercover monster) August.

A clever premise combines with unusual and intriguing characters to bring this appalling alternative society to life, and the reader is sucked in and lost amongst its brutal urban landscape of decay (both moral and physical) from the very first pages.  The pace of this book is somehow simultaneously hypnotic and frenetic, with plenty of action and horror to satisfy while also providing the space for a tender love story to blossom at its heart.  The fact that it also acts as an allegory for the ‘evil that men do’ and meditates on whether we can control the evil that may be innate, lying dormant but inevitable within us, also makes it a relevant read within today’s global atmosphere of unrest and unease.  I will definitely be reading the sequel of this black-hearted urban symphony.

Book Review: Lament

The intriguing back-jacket premise drew me into reading LAMENT when I was cataloguing it ready for the library shelves a few months ago, and I since then I have been recommending it willy-nilly with the following sales pitch: it’s about fairies – not cutesy, end-of-the-garden, sugar-plum fairies though.  No, no, these are big, scary fairies.  Upon hearing this the client promptly checks the book out, and leaves feeling suitably intrigued.

The world evoked in LAMENT starts out familiar; it’s our world – a world of school and summer jobs and ice cream and stripmalls.  What we and our MC Deirdre are soon to find out is that overlaying all of this (or perhaps running underneath like a secret river) is another, far stranger world – one of fairies, with unspeakable powers and ancient grudges, in which Deirdre is about to be irresistibly embroiled, whether she likes it or not.

Taking inspiration from real Celtic faerie mythology, LAMENT weaves a gossamer web of secrets, danger and dark magic.  Stiefvater’s human characters are likeable and believable, while her fairies are as deadly and ruthless as they are beautiful and charismatic.  The whole adds up to an atmosphere that draws you in and stays with you even when you’re not reading.  The drive of the narrative, the questions that need answering, and the completely unpredictable twists in how it unfurls have you suspicious of everyone and everything in the book’s world, with the doomed love that grows at its core making it easy to imagine that there is plenty of excitement to fuel the sequel.  This is an addictive, original read that gets you tangled up in its ancient, darkly magical web.

Book Review: The Sleeping Prince

Middles of trilogies are funny beasts.  They can so easily miss and end up treading water, while in other cases they are genius – a dark-hearted unfinished symphony which serenades the reader across an ocean of unanswered questions, while also bringing something totally new and unexpected to the overall arc.  The masterfully crafted THE SLEEPING PRINCE definitely falls into the latter category.  

Not picking up directly from its predecessor but rather plunging us into a new and unknown part of Salisbury’s darkly seductive and intoxicating world, we meet Errin, who is living a simple but troubled life as a countryside apothecary following the disappearance of her brother Leif.  When a war tears her world apart, Errin becomes caught up in a series of terrifying events, that bring her closer to the petrifying instigator of the conflict, The Sleeping Prince himself.

As with the first book, I found myself immediately absorbed into this story’s world – the prose is so rich in detail and unusual imagery that reading it is a fully immersive sensory experience.  Despite an initial moment of disorientation and fleeting disappointment at not immediately following on with Twylla’s story, I was soon caught up in the exhilaration of coming at the story from a brand new angle and with a new and distinct narrator.  The moving parts of Salisbury’s mythology, from the alchemists to the golems to the myth/reality of The Sleeping Prince, are so vividly realised; her characters are so textured and well-drawn in all their light and shade.  The love story element lies beneath the narrative like a bassline, or perhaps a beat, handled with subtlety but nonetheless compelling and irresistible.  Is it just me who feels there could be any number of fantastic spin-offs from the characters and world that have been created here?

This perfectly plotted middle installment weaves another layer onto the rich tapestry of this wholly absorbing and chilling epic, priming us perfectly for a finale that will bring together the gilded, deepest crimson, grubby, bloodstained strands and take us who knows where.  A wholehearted five stars, and a serious case of writer’s envy.

Book Review: The Sin Eater’s Daughter

I came to THE SIN EATER’S DAUGHTER with high expectations – there’s the great reviews, the charismatic author and that simply gorgeous cover of course.  A little part of me wondered if the contents of this book could possibly live up to the frenzy that surrounds it, but – guess what – it did.  

Twylla is a deadly weapon, killing those that betray the crown with a single touch, like an angel of death.  Because of this she is kept locked away at the palace, protected from those who may wish to harm her and from those who may be harmed by her deadly touch.  While her ties to the crown become deeper and more involved, a new guard is the first person unafraid to approach her and she finds herself intoxicated by this closeness, both physical and emotional, the consequences of which can only be extremely dangerous for them both.

From the very first moments of the novel we are plunged into the dark beauty of Salisbury’s utterly complete world, where opulence and savage beauty meet to create a whole new mythology which is utterly spellbinding from the get-go.  Without the need for long explanatory paragraphs or unnecessary backstory, her characters spring to life.  The rules of her world are simple and utterly clear, as well as being richly detailed and complex.  We are welcomed in as somebody already familiar with the way things work here, and indeed somehow that quickly becomes the case.  Truly savage villains, a complex heroine, hints at a mythology and a history that goes far beyond the pages of this novel, sensory detail and description that lift off the page and surround you as you read, THE SIN EATER’S DAUGHTER is an addictive and spellbinding read.

So, in summary, to misquote Public Enemy:  do believe the hype.  An addictive, darkly beautiful, mesmerising trip into a world that will terrify you, but that you’ll never want to leave.

Book Review: Hold Back The Stars

I’m a sucker for any book about space (and, as I’ve proven lately, for any book with the word ‘star’ or ‘stars’ in the title) but I genuinely was particularly excited to read Katie Khan’s HOLD BACK THE STARS when I spotted it on NetGalley.  Like many, I went into it thinking it was YA… it turns out it’s not, strictly speaking, but as the author itself says it deals with the kind of themes that are relevant to YA readers (first love, commitment, choices) so could as easily be enjoyed by them as by an older demographic.  I’d like to think that this kind of category-defying/crossover book might be a further step on the path to a more open view of books and readerships and who can enjoy what… but that’s probably a discussion for another day.

To return to the matter in hand, HOLD BACK THE STARS concerns the story of Max and Carys (girls with Welsh names in space is another thing I’m particularly keen on!).  They are freefalling in space after a spacewalk gone wrong, with nobody to help them and certain death on the cards, with only ninety minutes of air.  While this predicament unfurls we are told the story of their complicated relationship in flashback, through which we also gain insight into a future Planet Earth – its society, its rules, its philosophy – and the impact all of these have on the real people that live on it.

This is a richly detailed and expertly realised world, and I am fully aware of the the complexities of this kind of world-building, having just been neck-deep in it while writing my third book.  It’s thoughtful and interesting while also, I felt, managing to raise debate-provoking questions about our own society and the decisions and directions currently being taken.  The structure is fascinating, disorientating and very well executed, building suspense and taking VERY unexpected turns before bringing us into land.  Like I said I think this is a book that could have a very broad appeal; it’s not easy to pigeonhole or label but I think that was one of the things I liked most about it.  There are readers of many ages and demographic factors who will thoroughly enjoy this book, and I was most certainly one of them.

Thanks to NetGalley for the eARC.

More reviews on my blog http://kateling.co.uk/blog/

Book Review: Chasing The Stars

 

It will not be a surprise to anyone that I love books set in space, and when I heard about this – a take on Othello by the amazing Malorie Blackman – I knew it would be fantastic.  Othello is actually one of my favourite Shakespeare plays – it’s so complex, so rich and must have been so forward-thinking for its time.  (I even got my one and only 100% for an essay on it when studying it at A-level, but that’s a different story).

V and her brother are alone on a spaceship, lone survivors of a virus which has wiped out the rest of the crew.  Into this isolation comes Nathan and his fellow crewmembers, and he and V feel an immediate and powerful attraction to each other.  But there is trouble ahead, as the varying motivations of those around them lead to manipulation, betrayal and secrets that threaten to tear them, and the wider situation, apart.

It’s an intriguing and eerie set-up, with Blackman creating a very dark and intensely lonely world for her protagonist.  It initially stretches believability that two teenagers would be able to manage to survive in deep space alone on a huge spacecraft, but there is a good explanation for this that is later revealed (and I didn’t see it coming at all).  Blackman is typically unflinching and honest in her realistic depiction of both sex and violence, which is something I really love about her writing.  True to her well established form, she ratchets up an almost unbearable amount of tension in depicting the increasingly twisted loyalties between her cast of characters, leading to an exciting climax and an unexpected final twist, that definitely leaves you wanting more.

A dark, brutal, suspenseful space tale, with plenty of twists and a fearless but believable heroine, from a seasoned storyteller at the top of her game.

Book Review: When We Collided

cover-for-when-we-collidedI thought it couldn’t get any better than the depiction of bipolar disorder in All the Bright Places, and maybe it doesn’t. But if there ever was a contender, it could be right here, in the beauteous, luminous When We Collided.

In it we are transported to a small, pretty coastal town where enigmatic, charismatic mini-Marilyn Vivi meets sensitive, handsome Jonah whose father has recently died, devastating his family. His mother’s subsequent grief and depression have left him and his older siblings caring for his younger ones, struggling to pay bills and attempting to hold together the family business. Into this world of cares and responsibilities Vivi comes like a whirlwind, or maybe a rainbow, since the particular brands of joy, fun and love she is offering extend not only to Jonah but to the rest of his family too. And in bringing the sunshine back into their lives, she also begins to expose the darkness that they are all living with, including Vivi herself.

Riding around town on her Vespa, Vivi lives up to just about every MPDG stereotype except one – unlike most of her kind she does have her own trajectory, her own story, her own journey to go on. This is assured by the clever use of the dual narrative, in which the two voices are distinct and through which we get a heartbreakingly intimate and wholly convincing first-person view of the struggles of living with bipolar disorder; the sheer colour and exhilaration of the highs (and the accompanying recklessness), versus the debilitating and inevitable self-destruction of the lows.

I literally read this book in a matter of days. This is one of those that end up responsible for a series of 2am bedtimes on my part. There was just something so compelling about these characters, their oh-so-normal and yet otherworldly setting, the sense of doom that hung over even their most star-filled, swooping and gorgeous moments. Honesty, truth and beautiful little nuggets of wisdom shine out of the rich and sumptuous prose and will stay with me, meaningfully, for a long time. I mean, it’s just so quotable I can’t even pick one to include; suffice it to say that the things it pointed out to me and made me consider left me feeling that this is a book everyone needs to read.

So I’ll end with an advisory: do not read this book unless you are prepared to be moved, to be surprised, to be compelled into staying up late to read one more chapter, to end up falling quite deeply in love with the characters, and to return from the journey it takes you on changed forever and for the better.

Book Review: Ariadnis

AriadnisFrom the start of this book, told in dual narrative from the perspectives of the Chosen Ones of two rival cities, we are coming at this unusual future dystopia from two distinct mirror-image angles. After some kind of schism in the philosophies that brought them to this post-apocalyptic point, the two societies have been heading in different directions. The vaguely steampunk city above has its ideas about where society should be heading, while that below is more focused on living in tune with nature.

Playing with the Chosen One tropes, we are presented with the super strength of Aula as set against the mute, unharnessed powers of Joomia. They have very little time remaining until the final test that will seemingly decide the fates of their respective worlds.

These worlds are distinct, unusual, fresh and well drawn. I felt I was entering a fictional future that was not as well trodden as some of them have become. Side characters were well employed and had good flesh on their bones; those designed to be likeable were just that, while dastardly villains didn’t disappoint. I don’t know if it’s just my interpretation, but I was a big fan of the androgynous, multi-racial qualities of most of the young cast. It’s a pretty nifty way of allowing all comers to the book to project themselves into and onto your story without turning into one of those super politically correct authors tripping over themselves to incorporate a rainbow into their narrative at its own expense. I don’t mean to come over cynical there (though I probably do) because I felt this aspect worked well, added to the atmosphere, and was entirely appropriate in the context.

What’s most clever and impressive about this debut however is the symmetry of the dual narrative. As I’ve said before, I’m not a big fan of these unless there is a reason for them, and in this case there certainly is. The way the stories of the two heroines intertwine – coming together, moving apart and ultimately colliding, is a smart piece of plotting and in itself a mirror (see what I did there) of the novel’s own themes.

Nicely done, and a pacey, involving read. Thanks to NetGalley and Hachette for the ARC.